The Properties of the Spiral
This document analyzes my past, current, and possible paths in future work from a personal perspective. The emphasis is put in my practice, experiences, and personal points of view. It is not a theoretical analysis but an exploration of personal ideas and works. History and theory are approached in the other document Juum Means Noise in Maya.
Juum Means Noise in Maya
This document explores the artistic practices and research activities I develop in my work from a historical and theoretical perspective. For a more personal approach refers to the other document The Shape of the Spiral.
Art Creation
As far as we know, the human being is the only organism that is awarded of its consciousness in close relationship with its long-term memory and future desires. This ability let us recreate, transform and evoke the perception of our surrounding reality, bias our senses, in a process that we may call imagination. Imagination is the key element for purposing a definition of art.
Understanding Collective Gestural Improvisation; a computation approach
Improvisatory Music and Painting Interface. Predoctoral thesis, Music Technology Group, Pompeu Fabra University. June 2006.
Improvisatory Music and Painting Interface
Improvisatory Music and Painting Interface. Master's thesis Media Laboratory, MIT. July 2004.
Real-time Distributed Media Applications in LANs with OSC
Tristan Jehan, Dan Overholt, Hugo Solís Garcia, Cati Vaucelle, Real-time Distributed Media Applications in LANs with OSC, Proceedings of the 1st Open Sound Control conference. Berkeley, July 2004.
About RadioArt
This text was presented in the conference "Radio Art" in Morelia Michoacán on December 9th organiced by the Univerity of Muchoacan. (Spanish)
The Experience of Teaching and Collaborating with a Young Composer in the Creation of an Electro-acoustic Piece
Hugo Solis and Natasha Sinha, III Encuentro Internacional de Música Electroacústica, Brasilia University, November 2003.
GAB: Sistema de reinterpretación para pianos
Hugo Solís García. Bachelor's Thesis. Escuela Nacional de Musica, Universidad Nacional Autónoma de México, 2001. SPANISH
The Physical Space as Musical Variable
This research introduce the use of physical space and displace of sources in the space as one musical variable with equal importance than pitch or intensity. This work was created in the Musical Creation Laboratory as part of the "Music: an Interactive System of Research and Composition" (MUSIIC) project, directed by Dr. Julio Estrada at the Escuela Nacional de Música (UNAM). The document is in Spanish